20 Ranged games like Beyond Good and Evil that you should try

Bigger and better paced than the 2013 reboot: tombs are more numerous and more elaborate, and the crafting and hunting loops give the hub areas a reason to exist. Traversal is excellent. The story is forgettable and the survival framing sits awkwardly beside a protagonist who kills dozens of people without comment.

The game that started the popular Far Cry series. The player assumes the role of Jack Carver, a former special forces operative who became a ferryman. The protagonist was hired by a journalist Valerie Constantine to escort her to a remote Pacific island.

The largest of the PS2-era entries by a distance: three cities, countryside between them, and systems the series never repeated — stat training, gang territory, vehicle variety from bikes to planes. It is also the most uneven. Mission difficulty spikes without warning, and the RPG-ish stat grind sits oddly against the pace of everything else.

A tightly linear crime story set in a 1940s and 50s American city, more interested in Vito's decade than in filling a map with icons — the world is a backdrop for the narrative, not a checklist. The writing and period detail are why people still recommend it. This original SKU is the problem: it is a 32-bit build that crashes and stutters badly on current Windows, and the Definitive Edition exists.

Experience survival horror like never before in the eighth major installment in the storied Resident Evil franchise - Resident Evil Village.

Mini Ninjas is set in a cartoonish version of medieval Japan and puts you into the role of a cute ninja. Your village was attacked by an Evil Samurai Warlord, who uses magic to turn the innocent animals into his loyal soldiers.

Supraland Six Inches Under is a First-Person-Metroidvania. That means, you're in a gated world and the more abilities you gather, the more parts of the world you can access. The gameplay consists of roughly 55% exploration, 40% solving puzzles and 5% combat.

Good or Insane? The choice is yours. Following the Apocalyptic end to the Postal Dude’s week in Paradise, we follow him and his insane pitbull Champ as they emigrate to its appropriately named sister city, Catharsis.

A first-person sandbox built around an errand list rather than a plot: you can complete a day's chores peacefully or not at all, and the world reacts either way. Its shock humour is entirely of its era and lands badly now for many players. Technically it is rough, and the freedom is broader than the systems supporting it.

Tighter and more focused than the open worlds that followed it, with a compact city you learn by heart rather than by map marker. Driving carries most of the game. The shooting has aged badly — no proper cover, stiff aiming — and missions restart from the beginning, which turns a late failure into a long redo.

The one that established the template: a 3D open city with radio stations, missions on call and free roaming between them. Historically it matters enormously. It has aged the hardest of the era — no mission checkpoints, no map markers for much of it, a silent protagonist, and shooting that amounts to auto-aim and hoping.

Its destruction system is the reason to play it — buildings collapse structurally rather than in scripted pieces, and the sledgehammer makes demolition a genuine tactic. Mars is drab and repetitive as a setting, missions recycle a small set of objectives, and the story is barely there. The physics carry almost the entire game.