21 Ranged games like Grand Theft Auto: Episodes from Liberty City that you should try

Tighter and more focused than the open worlds that followed it, with a compact city you learn by heart rather than by map marker. Driving carries most of the game. The shooting has aged badly — no proper cover, stiff aiming — and missions restart from the beginning, which turns a late failure into a long redo.

A physics sandbox first and a shooter a distant second. The grapple and parachute let you chain traversal indefinitely, and most of the fun comes from improvising with them rather than from any mission. Expect repetition: the island is enormous but the objectives recycle a handful of templates, and the story is barely present.

The first outing for the grapple-and-parachute traversal the series became known for, though far cruder here — the hook is limited and stunt-jumping between vehicles is the main trick. The island is large and mostly empty, missions repeat a handful of templates, and the driving physics are loose enough that chases become guesswork.

A tightly linear crime story set in a 1940s and 50s American city, more interested in Vito's decade than in filling a map with icons — the world is a backdrop for the narrative, not a checklist. The writing and period detail are why people still recommend it. This original SKU is the problem: it is a 32-bit build that crashes and stutters badly on current Windows, and the Definitive Edition exists.

The largest of the PS2-era entries by a distance: three cities, countryside between them, and systems the series never repeated — stat training, gang territory, vehicle variety from bikes to planes. It is also the most uneven. Mission difficulty spikes without warning, and the RPG-ish stat grind sits oddly against the pace of everything else.

The most grounded entry: heavier driving, a euphoria physics system that makes collisions and stumbles feel physical, and a city built for density rather than scale. Combat is serviceable. It is also the slowest — long drives between missions, friends who phone constantly asking for activities, and a tone considerably more sombre than the games around it.

The entry most fans point to: an open city with genuine variety in activities, co-op through the entire campaign, and a tone that swings between crude comedy and surprisingly dark story beats. The PC port is the problem — it shipped badly and still needs community patches to run properly, which is a real barrier before you start.

Its destruction system is the reason to play it — buildings collapse structurally rather than in scripted pieces, and the sledgehammer makes demolition a genuine tactic. Mars is drab and repetitive as a setting, missions recycle a small set of objectives, and the story is barely there. The physics carry almost the entire game.

The one that established the template: a 3D open city with radio stations, missions on call and free roaming between them. Historically it matters enormously. It has aged the hardest of the era — no mission checkpoints, no map markers for much of it, a silent protagonist, and shooting that amounts to auto-aim and hoping.

Superpowers replace most of the driving: you sprint faster than cars and glide over buildings, which makes the open world trivial to cross and much more fun to move through. Combat is chaotic rather than precise. It reuses the previous game's city wholesale, and once you have full powers almost nothing offers resistance.

A first-person sandbox built around an errand list rather than a plot: you can complete a day's chores peacefully or not at all, and the world reacts either way. Its shock humour is entirely of its era and lands badly now for many players. Technically it is rough, and the freedom is broader than the systems supporting it.

Good or Insane? The choice is yours. Following the Apocalyptic end to the Postal Dude’s week in Paradise, we follow him and his insane pitbull Champ as they emigrate to its appropriately named sister city, Catharsis.

id Software shooting at its most precise, wrapped in a wasteland that mostly exists to connect combat arenas. The gunfeel and enemy animation still hold up. Everything around it is weaker: driving sections pad the runtime, the world is a hub-and-spoke rather than open, and it ends abruptly enough that many players assume they missed a final act.

Experience survival horror like never before in the eighth major installment in the storied Resident Evil franchise - Resident Evil Village.