21 Ranged games like Frogmonster that you should try

Bigger and better paced than the 2013 reboot: tombs are more numerous and more elaborate, and the crafting and hunting loops give the hub areas a reason to exist. Traversal is excellent. The story is forgettable and the survival framing sits awkwardly beside a protagonist who kills dozens of people without comment.

Supraland Six Inches Under is a First-Person-Metroidvania. That means, you're in a gated world and the more abilities you gather, the more parts of the world you can access. The gameplay consists of roughly 55% exploration, 40% solving puzzles and 5% combat.

The game that started the popular Far Cry series. The player assumes the role of Jack Carver, a former special forces operative who became a ferryman. The protagonist was hired by a journalist Valerie Constantine to escort her to a remote Pacific island.

Good or Insane? The choice is yours. Following the Apocalyptic end to the Postal Dude’s week in Paradise, we follow him and his insane pitbull Champ as they emigrate to its appropriately named sister city, Catharsis.

Experience survival horror like never before in the eighth major installment in the storied Resident Evil franchise - Resident Evil Village.

The largest of the PS2-era entries by a distance: three cities, countryside between them, and systems the series never repeated — stat training, gang territory, vehicle variety from bikes to planes. It is also the most uneven. Mission difficulty spikes without warning, and the RPG-ish stat grind sits oddly against the pace of everything else.

A first-person sandbox built around an errand list rather than a plot: you can complete a day's chores peacefully or not at all, and the world reacts either way. Its shock humour is entirely of its era and lands badly now for many players. Technically it is rough, and the freedom is broader than the systems supporting it.

The one that established the template: a 3D open city with radio stations, missions on call and free roaming between them. Historically it matters enormously. It has aged the hardest of the era — no mission checkpoints, no map markers for much of it, a silent protagonist, and shooting that amounts to auto-aim and hoping.

A tightly linear crime story set in a 1940s and 50s American city, more interested in Vito's decade than in filling a map with icons — the world is a backdrop for the narrative, not a checklist. The writing and period detail are why people still recommend it. This original SKU is the problem: it is a 32-bit build that crashes and stutters badly on current Windows, and the Definitive Edition exists.

Tighter and more focused than the open worlds that followed it, with a compact city you learn by heart rather than by map marker. Driving carries most of the game. The shooting has aged badly — no proper cover, stiff aiming — and missions restart from the beginning, which turns a late failure into a long redo.

The first outing for the grapple-and-parachute traversal the series became known for, though far cruder here — the hook is limited and stunt-jumping between vehicles is the main trick. The island is large and mostly empty, missions repeat a handful of templates, and the driving physics are loose enough that chases become guesswork.

The most grounded entry: heavier driving, a euphoria physics system that makes collisions and stumbles feel physical, and a city built for density rather than scale. Combat is serviceable. It is also the slowest — long drives between missions, friends who phone constantly asking for activities, and a tone considerably more sombre than the games around it.

A physics sandbox first and a shooter a distant second. The grapple and parachute let you chain traversal indefinitely, and most of the fun comes from improvising with them rather than from any mission. Expect repetition: the island is enormous but the objectives recycle a handful of templates, and the story is barely present.